I arrived at SlowBurn on a Sunday morning before the lunch rush, to the imminent warmth of regulars returning after the summer pause. The passion that has gone into this vegetable-centred restaurant is hard to miss, and as ravioli parcels were constructed, I bounced around photographing a space that is,… Read more: The Appetite for Art: SlowBurn

Tucked into Marseille’s Le Panier district is one of this summer’s most popular exhibitions, and arguably its most Instagrammable. For Dormir comme le soleil, Adrien Vescovi has hung La Vieille Charité with more than six hundred antique bed sheets: old linen and thick cotton, some still carrying a previous owner’s… Read more: The Appetite for Art: Adrien Vescovi

You do not stumble across Polentina. You go looking for it, down the dusty tracks of a Bow industrial estate, until you reach a buzzer with no obvious promise of lunch behind it. Press it, and the door opens onto a room where two kinds of making happen at once:… Read more: The Appetite for Art: Polentina

A photograph, to Nathalie, is not a finished image to be framed and kept but a material: to be printed, cut, stitched, and built with. Shooting on film and printing her pictures onto cloth, Nathalie sews, by hand and by machine, the photographs into quilted surfaces of found denim, old… Read more: The Appetite for Art: Nathalie Basoski

For Paola A. Sánchez Ariza, food is not something simply to be eaten, but a material to be composed, stacked, and built with: a visual language. Born in Bogotá and working between Colombia and London, Sánchez Ariza trained first as a pastry chef at Le Cordon Bleu in Paris, before… Read more: The Appetite for Art: Paola Sánchez